A VOCAÇÃO HISTORIOGRÁFICA DA HISTÓRIA FEMINISTA DA ARTE
Resumo
Através da análise de um conjunto de obras representativas da história feminista da arte dos anos 1970 e 1980, de autoras seminais para esse campo de estudos, a saber, Linda Nochlin, Ann Sutherland Harris, Germaine Greer, Roszika Parker e Griselda Pollock, pretende-se, no presente trabalho, explorar a preocupação com historiografia da arte comum a todas elas. Em um cenário de disputa de narrativas-mestras e de tentativa de inserção de artistas, colecionadoras, curadoras e marchands mulheres nas linhas gerais dos grandes manuais de história da arte, a historiografia tem se mostrado um cenário privilegiado para esses embates, e a busca pelas raízes historiográficas dessas discussões, nas figuras de Plínio o Velho, Boccaccio e Vasari, marca a obra inicial das autoras aqui estudadas.
Palavras-chave: História feminista da arte; Historiografia da arte; Artistas mulheres.
THE HISTORIOGRAPHIC VOCATION OF FEMINIST ART HISTORY
Abstract: Through the analysis of a set of works representing feminist art history from the 1970s and 1980s, by seminal authors in this field of study, namely Linda Nochlin, Ann Sutherland Harris, Germaine Greer, Roszika Parker and Griselda Pollock, we wish to explore, in the present work, the preoccupation with art historiography common to all of them. In the scenario of master narratives and the attempted insertion of women artists, collectors, curators and art dealers in the broad lines of art history’s great manuals, historiography has been a privileged context for these conflicts, and the search for historiographical roots of such discussions in the figures of Pliny the Elder, Boccaccio and Vasari marks the initial work of the authors studied here.
Keywords: Feminist art history; Historiography of art; Women artists.
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PDFReferências
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