Meu ponto de vista: check-in
Resumo
Palavras-chave: Fotografia; ponto de vista; protocolo; séries fotográficas; modos de apresentação.
My point of view: check-in
Abstract: This paper discusses the continuing photographic series My point of view, which has been in development since 2002, and which involved taking photographs in front of the bathroom sink of the apartment where I had been living and at that moment when I noticed that my image was not captured by the reflection in the mirror, attached to the wall far above the height of my gaze. I have perceived the recurrence of this type of photographic situation since that period until today, and still use the same protocol. I have organized these images, grouping them into a new series entitled My point of view: check-in, which has the intention of expanding on the locations where images may be captured, places that go beyond my close daily interactions, where I try to get closer and to seek intimacy. I discuss some chosen images which have been enlarged and regrouped in series and their experimented presentational forms.
Keywords: Photography; point of view; protocol; photographic series; modes of presentation.
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PDFReferências
Referências:
Meu ponto de vista: check-in. Instagram. Disponível em: https://www.instagram.com/meupontovista/ Acesso em: 10 de fev. 2018.
ROTTER, Mariane. Indutor de percepção cotidiana. Erechim: Edelbra, 2006.
_____. O meu ponto de vista e os lugares da imagem – BANHEIRO ROSA. Anais do 2º Ciclo de Investigações do PPGAV UDESC. Arte e Pesquisa: aporias e constelações. Florianópolis, 2007. ISSN 1982-1875
ARAÚJO, Viviane Gil (2018). O corpo do artista como parâmetro da obra: uma análise sobre a série “Meu ponto de vista”, de Mariane Rotter. Revista Croma, Estudos Artísticos. ISSN 2182-8547, e-ISSN 2182-8717. 6, (12), julho- dezembro. 63-69. Disponível em: http://croma.fba.ul.pt/C_v6_iss12.pdf
Meu ponto de vista: check-in (Exposição online), Disponível em:https://aboutlightblog.wordpress.com/2019/07/02/galeria-meu-ponto-de-vista-check-in-de-mariane-rotter/
Direitos autorais 2019 Paralelo 31