As flechas de Olowaili: o som, o movimento e a cultura Guna em Princess Pocahontas and the Blue Spots por Monique Mojica

Daniel Wayne Hopkins

Resumo


Este artigo examina o drama Princess Pocahontas and the Blue Spots (1991), da dramaturga Guna Rappahannock, Monique Mojica, utilizando um enfoque sobre a cultura e a linguagem dos indígenas Guna para demonstrar que Mojica inclui a linguagem e elementos Gunano em seu drama que outros críticos anteriormente ignoraram. Considerando a arte de costurar as molas (uma vestimenta tradicional Guna), as histórias da tradição oral Guna lado a lado das histórias pessoais de sua família, o seu nome Guna, Olowaili e teorias do drama, é possível concluir que sua obra é muito mais autobiográfica do que tem pensado. Mojica não somente conta as histórias das outras mulheres indígenas afetadas pela colonização, como anteriormente sugerido em outras leituras críticas, ela inclui suas próprias conexões com a história e a cultura Guna para recriar sua identidade como mulher indígena Guna.

Palavras-chave


Monique Mojica; Guna; Ficção autobigráfica; Princess Pocahontas and the Blue Spots

Texto completo:

PDF (English)

Referências


Bimm, Jordan. “A Taste of Chocolate: Monique Mojica on ancestry, molas and life beyond victim tales.” NOW Magazine. 2 Jun. 2011. Web. 13 Aug. 2013.

Borst, Murielle. “Spiderwoman Theatre’s Legacy.” Performing Worlds into Being: Native American Women’s Theatre. Eds. Ann Elizabeth Armstrong, Kelli Lyon Johnson and William A. Wortman. Oxford, Ohio: Miami University Press, 2009. 75-87. Print.

Carter, Jill. Repairing the Web: Spiderwoman’s Children Staging the New Human Being. Diss. University of Toronto. 2010. Print.

---. “Blind Faith Remembers…This Ain’t No Love Story, This Ain’t No Masque: Princess Pocahontas and the Blue Spots as Transformative ritual for Grandmothers, the Ones Who Remain, and for the Ones Who Are Yet to Come.” Performing Worlds into Being: Native American Women’s Theatre. Oxford: Miami UP, 2009. 7-28. Print.

Green Stocel, Abadio. “La lengua como legado de los dioses” Voces indigenas universitarias: expectativas, viviencias y sueños. Ed. Marín Vieco. Medellín: University of Antioquia, 2004: 323-40. Print.

Inakeliginia, Carlos López. Así lo vi así me lo contaron. Trans. Aiban Wagua. Kuna Yala: Congreso General de la Cultura Kuna, 1997. Print.

Mojica, Monique. “Chocolate Woman Dreams the Milky Way.” Performing Worlds into Being: Native American Women’s Theatre. Eds. Ann Elizabeth Armstrong, Kelli Lyon Johnson and William A. Wortman.Oxford, Ohio: Miami University Press, 2009. 114-28. Print.

---. Princess Pocahontas and the Blue Spots. Toronto: Women’s Press, 1991. Print.

---. “Scoring the Body through Kuna Aesthetic Principles: Indigenous Dramatic Arts in Theory, Process, and Practice.” Canadian Theatre Review. 146 (2011). 61-62. Print.

Oran, Reuter, and Aiban Wagua. Gayamar Sabga: diccionario escolar gunagaya-español. Panama: Equipo EBI Guna, 2010. Print.

Salvador, Mari Lyn ed. The Art of Being Kuna: Layers of Meaning among the Kuna of Panama. Los Angeles: UCLA Fowler Museum of Cultural History, 1997. Print.

Shackleton, Mark. “Monique Mojica’s Princess Pocahontas and the Blue Spots and Thomas King’s Green Grass, Running Water: Countering Misrepresentations of ‘Indianness’ in Recent Native American North American Writing”. Towards a Transcultural Future: Literature and Human Rights in a 'Post'-Colonial World.

Ed. Peter H. Marsden and Geoffrey V. Davis. Amsterdam: Rodopi, 2004. 257-66. Print.

Sherzer, Joel. Kuna Ways of Speaking: An Ethnographic Perspective. Austin: University of Texas Press, 1983. Print.

Spiderwoman Theatre. “Nis Bundor/Daughters from the Stars”. Hemispheric Institute Digital Video Library. New York University, 2008. Web. 7 Jun 2013. .

Walters, Wendy S. “After the Death of the Last: Performance as History in Monique Mojica’s Princess Pocahontas and the Blue Spots.” Crossing Waters Crossing Worlds: Aftrican Diaspora in Indian Country. Ed. Tiya Miles and Sharon P. Holland. Durham: Duke UP. 2006, 226-59. Print.


Apontamentos

  • Não há apontamentos.


ISSN eletrônico: 1984-5677

ISSN impresso: 1519-0994